CFDL Online May 2012 Schedule

May 1, 2012
Patently Offensive #1 – The Red Pill
LU Podcast

May 3, 2012
This American’t Life
by Shawn Misener

May 6, 2012
untitled
by Michael Currier

May 9, 2012
Thieves Of The Bleak Earth
by Wayne Mason

May 12, 2012
a clean aquarium
by Carl Miller Daniels

May 15, 2012
The Markets Are Down 2%
by Afzal Moolla

May 18, 2012
In God I Trust
by Teri Kelly

May 21, 2012
Premature Blindness
by Winston Riley

May 24, 2012
Plastic Neon Signs
by Walter Beck

May 27, 2012
At The Supper Club
by Bud Smith

May 30, 2012
Ahab
by Richard Joseph Cronborg

Three Prong Obscenity Test

Three Prong Obscenity Test (text from http://courses.cs.vt.edu/cs3604/lib/Censorship/3-prong-test.html)

The highlighted section below constitutes what is now referred to as the “Three Prong Obscenity Test” which was an element in the Supreme Court Decision regarding the 1996 Communications Decency Act.

U.S. Supreme Court

MILLER v. CALIFORNIA, 413 U.S. 15 (1973)
413 U.S. 15
MILLER v. CALIFORNIA
APPEAL FROM THE APPELLATE DEPARTMENT, SUPERIOR COURT OF CALIFORNIA, COUNTY OF ORANGE
No. 70-73.
Argued January 18-19, 1972 Reargued November 7, 1972
Decided June 21, 1973

Appellant was convicted of mailing unsolicited sexually explicit material in violation of a California statute that approximately incorporated the obscenity test formulated in Memoirs v. Massachusetts, 383 U.S. 413, 418 (plurality opinion). The trial court instructed the jury to evaluate the materials by the contemporary community standards of California. Appellant’s conviction was affirmed on appeal. In lieu of the obscenity criteria enunciated by the Memoirs plurality, it is held:

1. Obscene material is not protected by the First Amendment. Roth v. United States, 354 U.S. 476, reaffirmed. A work may be subject to state regulation where that work, taken as a whole, appeals to the prurient interest in sex; portrays, in a patently offensive way, sexual conduct specifically defined by the applicable state law; and, taken as a whole, does not have serious literary, artistic, political, or scientific value. Pp. 23-24.

2. The basic guidelines for the trier of fact must be:

(a) whether “the average person, applying contemporary community standards” would find that the work, taken as a whole, appeals to the prurient interest, [Roth, supra, at 489,]

(b) whether the work depicts or describes, in a patently offensive way, sexual conduct specifically defined by the applicable state law, and

(c) whether the work, taken as a whole, lacks serious literary, artistic, political, or scientific value. If a state obscenity law is thus limited, First Amendment values are adequately protected by ultimate independent appellate review of constitutional claims when necessary. [Pp. 24-25.]

3. The test of “utterly without redeeming social value” articulated in Memoirs, supra, is rejected as a constitutional standard. [Pp. 24-25.]

4. The jury may measure the essentially factual issues of prurient appeal and patent offensiveness by the standard that prevails in the forum community, and need not employ a “national standard.” [Pp. 30-34.]

Extracted from http://www.findlaw.com/scripts/getcase.pl?navby=case&court=US&vol=413&invol=15, 1997 July 21

CFDL Online April 2012 Schedule

April 3, 2012
Untitled Lesbian Poem
by Quasimofo Snyder

April 6, 2012
Take Me Home
by Thomas Kearnes

April 9, 2012
Jesus vs. the Real Thing
by Louie Crew

April 12, 2012
Inscriptions
by Robert Gross

April 15, 2012
status update will carry over
by Dennis Mahagin

April 18, 2012
20 years ago
by Ross Vassilev

April 21, 2012
Consequences
by Nicole Yurcaba

April 24, 2012
Even Serpents Shine
by Charlie Skinner

April 27, 2012
Love Zombie
by Teri Kelly

April 30, 2012
Bukowski Must Have Loved Like This
by Jessica Gleason

CFDL Online March 2012 Schedule

March 1, 2012
The Plague of the Politically Correct
by Bill Gainer

March 4, 2012
End-Times
by James H Duncan

March 7, 2012
No Coffee
by Steve Young

March 10, 2012
Libya!
by Matthew Sradeja

March 13, 2012
Conflicting Fathers
by Dan Provost

March 16, 2012
Douglas Bader Post Pub Crawl Scenario
by Paul Levy

March 19, 2012
Coffee and Donuts on Ice
by Paul Corman-Roberts

March 22, 2012
death cross
by Mike Boyle

March 25, 2012
As Magic as Anything
by William Taylor Jr.

March 28, 2012
The Doctrine of the Similar
by Andrew Rihn

March 31, 2012
the future is the ghosts of cowards raping your children
by John Sweet

CFDL Online February 2012 Schedule

http://citizensfordecentliterature.com/nowplaying

February 3, 2012
Corporate Cage
by Bradley Mason Hamlin

February 6, 2012
Nuclear Hoochie Koochie
by Alex Nodopaka

February 9, 2012
Descended from Bears
by William Doreski

February 12, 2012
cocksuckers of the world unite and meet at my place
by J. Claudius Cloyd

February 15, 2012
Grandmother
by Bari L. Kennedy

February 18, 2012
Cold Coffee
by Bill Gainer

February 21, 2012
If you’ve ever…
by Juan Pedro Lamata

February 24, 2012
Ocean Beach Mind Murder
by Frankie Metro

February 27, 2012
God Bless America
by William Doreski

Part II: Always Do Whatever’s Next

CITIZENS FOR DECENT LITERATURE
Part II:  Always Do Whatever’s Next

Contributors:  Bill Gainer, Steven Purkey, Dick Long, Craig Scott, Ross Vassilev, April Michelle Bratten, Michele McDannold, FN Wright, Murphy Clamrod, Bari Kennedy, Joseph Hargraves, Mike Berger and RW Watkins.

Thank you to everyone who submitted. The rest of the contributor copies are being sent out TODAY! I have extra copies. They’re free. Send me your mailing address and I’ll send you one or wait to view/print your own when it’s available online in April.

Submissions for Part III are now open. ETA: April 2012. http://theliteraryunderground.submishmash.com/submit

CFDL Online January 2012 Schedule

January 1, 2012
revolution right now
by John Grochalski

January 4, 2012
Info Extraction Splash?
by David Pointer

January 7, 2012
america is Occupied
by Michael Grover

January 10, 2012
birth of the perfect revolutionary
by DB Cox

January 13, 2012
Penis
by Diana May-Waldman

January 16, 2012
Political Diatribe (Tripe)
by Gerald Yelle

January 19, 2012
You Can Call It What You Want
by Luis Rivas

January 22, 2012
Fucked Nine Ways From Tomorrow
by Catfish McDaris

January 25, 2012
Fuck Cinderella
by Diana May-Waldman

January 28, 2012
Making Friends for the World
by Gerald Yelle

January 31, 2012
Bless You Father
by RC Edrington

ChChChChanges

As with most projects, I start out with the idea of something then it takes on a life of its own and becomes something else entirely. That is the beauty of creation, my friends.

A few items of note …

1. Goscinski was your editor, now he’s not. Enough said.

2. Each issue was going to feature a poet. We’re only going to feature words (the nerve of us, I know). Poems, stories, essays, lists… if your average, everyday citizen might deem the work unpopular, unsavory, vile, upsetting, etc., we want to have a look.

3. Each issue was going to be themed. The theme is “revolution” 24/7/365. Dig it. In fact . . .

4. Each issue was going to be an issue– time-stamped and tagged but FUCK IT! This is the internet, we don’t get charged for frequency. New stuff comes in, new stuff goes out. Tune in, chub up.

First words go up January 1st, 2012. To the last year on planet earth- Hoo-Rah! Let’s burn this motherfucker down.

Happy Reading,

Michele McDannold
Queen Bee of this here Freakshow

Shitty Poetry and Censorship

is it arrogant, elitist or a form of censorship for an editor of a publication to pass judgment on any type of submission including poetry? NO. it’s their job. There are many different things an editor can look at in making that judgment.. much of it is subjective. Some care more about subject matter and message vs clarity, word choice, grammar, line breaks, etc- while some are very strict about what they’re looking for in that regard. My own definition of shitty poetry is lazy poetry. It used to annoy me to no end when other poets would tell me you need to read, read, read and find your voice if you want to write good poetry. Basically, because I’m lazy. And here i’ll throw myself under a bus and give you an example of shitty poetry…

http://homepages.which.net/~panic.brixtonpoetry/mcdann.htm

years ago when I decided to get serious about writing poetry, I wrote to these people and begged them to take that shit down. I received no response and now i’m glad. It serves as a reminder of what can happen when you think you know it all without bothering to educate yourself in the least bit. If you don’t know what you like, what you’re going for… how do you figure out how to get there?

The extent of my exposure to poetry at that point had been in the form of song lyrics (mostly Metallica and Guns n Roses), Edgar Allen Poe (I slept through the Shakespeare unit in High School) and the one poetry book I found at the local library- Joyce Carol Oates. I know i’ve said before that they had a copy of a bukowski book but now that I think on that more, someone gave me that book. One of my weirdo friends who wrote death, die skull teen angsty poetry who truthfully was probably just trying to get laid. (no comment)

I don’t know if those people at panic poetry really liked those poems or if they were just publishing anything and everything that came in. Point is.. that first publication wet my appetite. I ordered a copy of Poet’s Market, looked up everything I could online and ordered a bunch of crap journals. The only one I remember liking even slightly was Spinning Jenny and it still wasn’t what I was looking for. I joined a critique group online (gimme a break, I live in Jacksonville). THAT is when the real work began. It took me a while to find a small group of people on that site who were doing stuff that was interesting to me and that would respectfully challenge my writing beyond the “this is some weird stuff” comment. That went on for about a year and in that time my writing changed drastically. Then one of those people suggested I check out Zygote, Indite Circle, Remark Poetry and My Favorite Bullet. Jeezus, I felt like I hit the mother load. I became a greedy, greedy reader. Following links from one publication to the next and searching out publications listed in author’s bios. My idea of what I want and like to read in a poem continues to change to some degree but there is a baseline i’m working from. My own writing, I hope, will continue to grow and change. And at least I realize not everything I write should be sent out for publication (you’re welcome.). I’m sure you’ve heard before that in the end, we’re writing for ourselves. Have to be happy with our own work. It’s true. But if you don’t have any basis for making that judgment.. you’re more than likely to just be sending out shitty poetry.

The other point I wanted to make about shitty (lazy) poetry submissions… is inappropriateness. When you don’t bother to read a current issue, back issues, mission statements, about page, submission guidelines… nothin. I understand the want to challenge the editors within their guidelines but why ignore them? You must have more time than I do. After all that reading and submitting, I realized a couple things. 1. you can get anything published somewhere. This is not always a good thing but you can if that’s what you’re into. There’s room for everything. Opinions are like assholes. 2. you can ignore the guidelines and the bent of any particular publisher, just don’t get all pissy when they reject your work and go on to use big words like “censorship”. It just proves how lazy you are. I’ve learned plenty of other things but it’s off point and involves me calling people bad names.

I think in general the definition of censorship is an individual or group actively trying to push their idea of appropriate, moral, good etc on anyone else. Regardless of their intent. It’s a little bit different but worth discussing the idea of self-censorship. So an editor or a publication will not publish work because they view it as racist, sexist, homophobic, whatever. Is that a form of self-censorship? Sure. Do I defend their right to do it, absolutely. Just don’t tell me or my publication what we have the right to publish. But let’s be honest and I think this is especially important in the independent small press.. what one person would deem racist, sexist or homophobic- another would not. That is a judgment call. The simple fact of including the words nigger or cunt in a poem is enough for some people to call it racist or sexist. For others it goes more to intent and the promotion of hate or domination of any one group. And there’s a time and place for everything. If i’m looking at something for red fez, I wouldn’t say I would err on the side of ‘safe’ but I would be more likely to reject a submission if it’s clear to me that the author is a douche racist. If I was in charge of Citizens Online (which i’m not), I would have to spend a little more time looking at it. Is it good writing? What’s the intent, etc. and yet still, that kind of talk bothers me sooo much that I would probably impose self-censorship unless the poem is so extreme that it would be obvious to the average person that it is complete ridiculous bullshit. That being said, rules are made to be broken. I have a poem that will be published soon that uses some of those ‘bad’ words. I tried to make it obvious that people who hold those words up and use them in a certain way are retarded (oops, another non-PC word) but i’m sure it will still piss some people off. It’s all good. Just don’t threaten the publisher with a lawsuit or death threats if they don’t take it down… that’s Censorship.