{"id":258,"date":"2003-01-01T00:00:34","date_gmt":"2003-01-01T00:00:34","guid":{"rendered":"http:\/\/theliteraryunderground.org\/juicepress\/?p=44"},"modified":"2003-01-01T00:00:34","modified_gmt":"2003-01-01T00:00:34","slug":"fox-2","status":"publish","type":"post","link":"https:\/\/theliteraryunderground.org\/juicepress\/2003\/01\/01\/fox-2\/","title":{"rendered":"Lili Boulanger and See You Later, Pal by Hugh Fox"},"content":{"rendered":"<blockquote><p>Dear Stephen,<\/p>\n<p>Let me send you my two most recent poems. I&#8217;m writing in French now, translating into English, having the French corrected by my Parisian son-in-law at MIT, taking advantage of having the guy as a son-in-law.<\/p>\n<p>What I WISH you&#8217;d do is publish them in both versions.<br \/>\nMaybe need a little note about Lili Boulanger, something like&#8221;Lili Boulanger was an early twentieth century French composer who produced a large, mature body of work before her premature death at age 25.&#8221; See what you think.<\/p><\/blockquote>\n<p>&#8211;Hugh Fox<\/p>\n<blockquote><p>\nDear Hugh,<\/p>\n<p>Wish granted. I think it is formidable.<\/p><\/blockquote>\n<p>&#8211;Stephen Morse<\/p>\n<p>LILI BOULANGER<\/p>\n<p>Je suis dans un Paris de<br \/>\nreves d&#8217;eternite de beaute,<br \/>\nla riviere, les plus vieux batiments,<br \/>\nLe sacre Coeur qui saigne sur la ville<br \/>\nqui hier a mang&#8217; les elephants<br \/>\ndans le parc zoologique,<br \/>\nles rois et les rebellions toutes<br \/>\nterminees, pas de pauvres et de riches,<br \/>\nceux qui ont et ceux qui n&#8217;ont pas,<br \/>\nseulemente Les Louvres revees<br \/>\nrestent, coupoles et toits,<br \/>\ncolonees qui se souviennent<br \/>\ndes grecs et des romains,<br \/>\ntout qui coule comme la Seine,<br \/>\nla precisement pourquoi<br \/>\npresque rien<br \/>\ndisparait comme Lili,<br \/>\na<br \/>\nvignt-cinq<br \/>\nans.<\/p>\n<p>&#8211;Hugh Fox<\/p>\n<p>LILI BOULANGER<\/p>\n<p>I&#8217;m in a Paris of dreams of<br \/>\neternal beauty, the river,<br \/>\nthe old buildings, the church of<br \/>\nthe Sacred Heart that bleeds<br \/>\nover a city where yesterday<br \/>\nthe revolutionaries<br \/>\nate the elephants in the city zoo,<br \/>\nall the kings and revolutions over,<br \/>\nno more poor and rich, haves and<br \/>\nhave-nots, only the dream Louvres<br \/>\nleft, cupolas and roofs, columns that<br \/>\nremember the Greeks and Romans,<br \/>\neverything that flows like the Seine,<br \/>\nthere precisely because almost nothing<br \/>\ndisappears like Lili<br \/>\nat<br \/>\ntwenty-five.<\/p>\n<p>&#8211;Hugh Fox<\/p>\n<p>BIENTOT, MON PETIT<\/p>\n<p>Petit, soixante-dix ans,<br \/>\nAutrichien juif, ses premieres annees<br \/>\na Auschwitz, mais sa famille (mystere)<br \/>\ny rechappant, autre mystere comment il est arrive&#8217;<br \/>\nau Michigan et s&#8217;est mari avec une Irlandaise convertie<br \/>\nau judaisme, toujours drole comme un petit<br \/>\nchimpanz, mais en meme temps toute l&#8217;histoire du<br \/>\nmonde un millimetre sous la surface de son crane,<br \/>\nmort aujourdhui, je ne peux pas aller a l&#8217;enterrement<br \/>\nlundi pour voir une grand partie de moi-meme<br \/>\nenterr&#8217;e.<\/p>\n<p>&#8211;Hugh Fox<\/p>\n<p>SEE YOU LATER, PAL.<\/p>\n<p>Tiny, seventy years old,<br \/>\nAustrian Jew, his first years<br \/>\nin Auschwitz, but his family (mystery)<br \/>\nescaped, another mystery how he got<br \/>\nto Michigan and married and Irish woman<br \/>\nconverted to Judaism, always funny like<br \/>\na little chimp, but at the same time the whole<br \/>\nhistory of the world one millimeter under the<br \/>\nsurface of his skull, dead today, and I can&#8217;t<br \/>\ngo to the buriel Monday to see a great part of<br \/>\nmyself<br \/>\nburied.<\/p>\n<p>&#8211;Hugh Fox<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dear Stephen, Let me send you my two most recent poems. I&rsquo;m writing in French now, translating into English, having the French corrected by my Parisian son-in-law at MIT, taking advantage of having the guy as a son-in-law. What I &hellip; <a href=\"https:\/\/theliteraryunderground.org\/juicepress\/2003\/01\/01\/fox-2\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16,39,38],"tags":[123,90,97],"class_list":["post-258","post","type-post","status-publish","format-standard","hentry","category-16","category-hugh-fox","category-hugh-fox-2003","tag-123","tag-fox","tag-hugh"],"_links":{"self":[{"href":"https:\/\/theliteraryunderground.org\/juicepress\/wp-json\/wp\/v2\/posts\/258","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theliteraryunderground.org\/juicepress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theliteraryunderground.org\/juicepress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theliteraryunderground.org\/juicepress\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/theliteraryunderground.org\/juicepress\/wp-json\/wp\/v2\/comments?post=258"}],"version-history":[{"count":0,"href":"https:\/\/theliteraryunderground.org\/juicepress\/wp-json\/wp\/v2\/posts\/258\/revisions"}],"wp:attachment":[{"href":"https:\/\/theliteraryunderground.org\/juicepress\/wp-json\/wp\/v2\/media?parent=258"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theliteraryunderground.org\/juicepress\/wp-json\/wp\/v2\/categories?post=258"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theliteraryunderground.org\/juicepress\/wp-json\/wp\/v2\/tags?post=258"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}