Artists by Lucille Lang Day

ARTISTS

Dancers

Long after chalky eggs have drifted
on a floating mat,
even after young have hatched,

a pair of great-crested grebes,
sighting white cheeks
and pointed beaks after time apart,

start to dance. One bird dives
and swims toward the other,
who arches her back, fluffing herself

like a black-winged cat. The diver
bursts from water, wings outstretched.
The two plunge under,

re-emerge with weeds, like roses
in beaks, press breasts together,
treading water, and stamp their feet.

Musician

Rolling his fibrous, thousand-pound tongue,
a humpback croons a long, lush song,
“Ah, what a whale of a male I am,”

in a seven-octave voice. Swimming
in a sine wave, he slides
through the sea, a one-man band,

blending pure and percussive tones
in symphonic ratios with rhymed refrains.
You’d think he’d studied Mozart

and Bach as he leaps on beat, landing
with a hundred-ton splash
to belt an encore for the salmon and bass.

Architect

The satin bowerbird weaves an avenue
of twigs and sticks
with foot-high walls, adorned

with blossoms, beads and poker chips.
He makes paint of saliva
and berries, crushed and mixed,

daubs it on walls, brushing
with waxy leaves, then takes a flower
in his beak, dances down the bower,

singing, flapping his wings.
When he wins a mate, the walls
collapse as they violently conjugate.

Afterward she flies away
to make her own place: she’ll raise
her young alone in a plain brown nest.

Painters

Asian elephants, each with a brush
in its trunk, are Abstract Expressionists,
five-ton de Koonings, making

biomorphic shapes. Do you see
the king cobra under fan-shaped leaves,
the horns of an antelope, bamboo, teaks?

Colors capture rolling plains,
the Chao Phraya River delta, braided
into channels that flood rice fields

abuzz with mosquitoes. Layers of paint
record chaos that finally gives way
to the will of the artist, shifting her weight.

–Lucille Lang Day

Goya Knew by Robert E Dahlman

Goya Knew

I have discarded Saturn’s slave bracelet,
freed myself from visible obsession,
become a tachyon truant, running
on computers’ oscillating crystals,
randomly set foreign wall clocks,
strangers’ concept of the continuum, stretching
meals around stomach pain,
appointments around celestial feng shui,
sleep around internal lactic acid levels, rising
with morning star light, to face
life on intersecting time lines, rarely
recognizing catabolism, oblivious
while lungs loose elasticity,
brain cells erode in the time stream,
knee joints weather in a synovial tide, turning
freedom into rheumatoid incarceration,
knowledge into reminisce
breath into shallow pools, reflecting
Saturn, prophet of apoptosis,
eating his children.

–Robert E. Dahlman

This Is Not A Forwarded Message by John Bennett

THIS IS NOT A FORWARDED MESSAGE!
THIS BUD’S FOR YOU!

Terrorism and war, tuning everyone in to the same wavelength. When
the volume gets turned up, all that’s there is static.

***************************************

THE BEGINNING & THE END

I’m procrastinating. Putzing around. Sucking suds and cigarettes —
the bath water of a woman I once loved gone cold and gray; cancerous
tidings from Virginia … I drink it in. What the fuck — why not?

***

I spit on realism. I piss on it from a considerable height. I lay in
ambush for the problem solvers of the world. Everywhere I turn, hidden
agendas. Am I exempt from the draft? I should be, what with this array
of prostheses and the nightmares storming through the canyons of my
skull.

What’s left after we die is all that was there to begin with.

–John Bennett

Nostalgia by William Marsland

Nostalgia

I remember:
Giant women, uniforms of black and white;
chewy toffee filled with fizz
my tongue, a funny coloured hue

Catapults would launch our bombs
while bendy bow, if deftly used
could send a missile twenty feet
and leave a rebel army bruised

A smiling girl was just a tool
We played and died with such finesse
held back tears, cos… we were real men
and knew, to shed a tear…would not impress

We’d build with ingenuity
Dams, dens…swings of knotted rope
traverse raging swells of make believe
whilst always hating soap

Baggy-arsed, in trousers short
and sleeveless v-necked woollen top
we’d take our lives within our hands
swing out wide, let go and feel the drop

Bikes so tall, we had to stretch our joints
or ride with leg pushed through the frame
and peddle in an awkward, slantwise crouch
Hands reaching up, the handle bars to tame

Sugar butty snacking, in the dark
against a damp brick kitchen wall;
fearful of, an uncles belt or fist
terrified of being made…to take the fall

Nights counting coffins, in burning coals;
seeing faces change…seeing terrors cold
waiting for that key to turn inside that lock
someone new, to slap this face so bold

Mildewed army greatcoats, strewn across the bed
would suffocate the noise…would confiscate the welt;
touch of rotting clothing, around the faceless boy
soaked up tears, that no one saw…that no one ever felt

I remember:
Shrill laughter, childish squeals;
cycling down a country hill, at breakneck speed
using plastic sandals, to act as breaks on wheels

Hardened gum, from off the floor
had a certain taste, it was…perfection;
after taking turn, to savour this confection
next in line would take the gum…and never give rejection

Wheel-less rusted cars, with smelly leather seats;
would flash through streets at ninety mile an hour
I would be the driver, chasing…all the uncles from my life
behind a shiny steering wheel, somehow…I had that power

Twenty screaming urchins;
sharing two ice creams, “me”, “me”, “me”, would do the trick
slowly melting scoops of joy were shared
and every screaming urchin…got a lick

Swapsies, swapping toys and treasures;
cards with well known faces, made the day
chipping chipped glass marbles, into mucky holes
well worn shoes, boots…only fit for play

Carbonated pop, wooden swords for fighting
bloody nose…mixed with runny snot;
always trying something new, pretending
wanting…to be, that something we were not

Pulling faces, throwing stones at silly Mr Jelly Jones
getting ears pulled, arses slapped…told to go away;
rosy-redness from the slaps, would be put on display
once we raised our scraggy pants, we’d laugh with proud hooray

Saturday matinee, sneak thief viewers;
only posh kids paid…we had no need of usherette
intermission… sweets, goodies, such a stir
seldom knew that velvet taste…of chocolate

Weekday swims, wet drooping draws;
water warmed, by hulking factory vent
emergence into wind whipped chill
standing stooped, elbows bent…all our effervescence spent

Adventure craved; adventures lived
on train; on bus…a chariot to youngsters eye
took childish soul, upon a seat and gave it wings to dance
though every day upon return, sad child, a little more would die

I remember:
Raging fists; stinging leather on my cheek
I remember:
Pride… at holding back the tears, for oh so many, many years
I remember:
Pain so sweet, as size ten boots would stamp down hard…upon my feet

I remember most of all:
a car with nuns…that came to call
and how my mother smiled that day
The day she gave my life away
to uniforms of black and white

–William Marsland

Totem & Teatime by Michele Lamberti

TOTEM & TEATIME

I can no longer shop happily
–Lost in the supermarket, Strummer/Jones

1.
I trick the squirrel. My brother
and his girlfriend did the same.
On my knees, upon the concrete,
(like them besides the meadow),
I show him my left fist,
as if it isn´t empty,
but full of first-class Spanish nuts.
I know: he will not resist. The brown
blitz descends from a scots pine.
I open my fist
and it´s him.
Two spirits.
As I weigh his claws in my hand,
he sees exactly, that I have nothing.
Then he stares straight into my filthy face.
For a very long squirrel-time.

2.
Who am I to mess with
the ruler of this park?
Don´t you know: the white swan
is busy fighting naked children;
the big-headed black swan sells
dull feathers on a seedy TV show.
All the others do not count. Now:
Do you know who I am?

3.
That night,
naked in front of my mirror,
I wrote: “You shall not
eat a squirrel” on my chest
and loved the living
colour of each letter.

–Michele Lamberti

Feeding the Dog by Bradley Mason Hamlin

FEEDING THE DOG

Some females
are lightning quick
with the kung fu
reach in cobra fast
grab heart
yank
rip it out your chest
and youíre standing there
watching it
taking it
as she bites your blood pump
like a ripe apple
the
red drops of your relationship
dripping
down the corners of her mouth
as you wonder
what the hell you did
to deserve this
and she will smile
and if you beg she will laugh
and if you force yourself on her
she will scream
and feed your balls
to the neighbor’s dog
she never liked that neighbor
but she fucked him anyway
just so
she could have that dog handy
–some bitches are like that.

–Bradley Mason Hamlin

Concerning The Rice by John Bennett

CONCERNING THE RICE

“What are your feelings about the rice idea? No? They’ll just toss it?”
Philomene Long.

“The world is insane on a level far deeper than it realizes. The rice
won’t change things one way or the other.” John Bennett

“If we could only get enough people to walk together — but we won’t.”
Charles Bukowski in an early poem.

“If we could only get enough people to sit together –we won’t, but it
doesn’t much matter.” Something Shunryu Suzuki might have said.

“If we could only get enough people to send in their rice, we could
open a Chinese restaurant …”

–John Bennett

Walnut Creek Fault Finding by Stephen Morse

Walnut Creek Fault Finding

1.

My blonde
suburban
mother tries to
fly
in the socialite
newspaper
dumb show
of Bales Drive
under the dry
white sky
land abandoned
by the deer and
the crow:

2.

co-opted by the
claustrophobic
cat
domestica and
slobber-jawed
dog
snapping
cookie kids and
a flock of bat
toting young
hands fondling
a green-tree
frog.

3.

a word-camp
of post war
blood white,
and blue
anger flaring
soul drying
sodium.
Parents cured
broiled
bland by the
great war
smoked in
mushroom
deaths, we find
faults
to ignore

–Stephen Morse