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Luis Rivas
The View From Mulholland DR
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She hands me the camera and
    tells me to take a picture of
    her sitting on the wooden
    rail on Mulholland DR .  I
    focus in on her, keeping her
    off center and to the right.
    Don’t put me in the center,
    she says.  The view of Los
    Angeles is yellow and ugly.  
    More and more people are
    arriving in BMWs and Mercedes
    Benz, crowding the Mulholland
    DR view area.  A well-dressed
    lady takes out a crack pipe,
    puts it to her lips and
    flicks on the lighter under
    it, inhaling hard and deeply,
    the rock inside the glass
    pipe melting and turning into
    vapor, her eyes growing wider
    and throws her baby over the
    edge.  People shout.  The
    girl who handed me the camera
    continues to sit and wait on
    the wooden rail.  The high
    afternoon sun starts bleeding
    and explodes over us.  
    Cloudless rain falls mixing
    in with the liquid sun.  
    People are burning and
    screaming in the valley.  No
    one understands what’s going
    on.  More people take out
    crack pipes and throw their
    children over the wooden
    rail.  Rich fat husbands are
    laughing.  Their fat spoiled
    dogs bark uncontrollably, go
    insane and leap over the
    wooden rail, biting after the
    children.  Everyone’s jumping
    over now.  She says, ok, take
    the picture.  I have to step
    back to get everything in,
    lining up the wooden posts in
    the wooden rail so that
    either side has the exact
    amount of distance from the
    edge in the picture, dodging
    the children being thrown
    toward us and remembering to
    keep her off center.  Don’t
    center me, ok, she says.  I
    wait for something.  She
    turns around with the
    bleeding sun in her eyes,
    half her face and hair burned
    off, the white of her skull
    exposed.  I snap the picture
    before everything goes away,
    before it all stops, in case
    we forget this moment, here,
    now, this, but the lens cap
    is left on.  No one will
    believe us now.